For those with slow connections where video is jerky, let the video play 1 complete round with speakers off, then replay with speakers on. The second replay will be smooth. If the video don't give any sound, try switching to another browser.
Lyrics for the song "All my loving" by the Beatles
Close your eyes and I'll kiss you, Tomorrow I'll miss you; Remember I'll always be true. And then while I'm away, I'll write home ev'ry day, And I'll send all my loving to you.
I'll pretend That I'm kissing the lips I am missing And hope that my dreams will come true. And then while I'm away, I'll write home ev'ry day, And I'll send all my loving to you.
All my loving I will send to you. All my loving, darling I'll be true.
Close your eyes and I'll kiss you, Tomorrow I'll miss you: Remember I'll always be true. And then while I'm away, I'll write home ev'ry day, And I'll send all my loving to you
All my loving I will send to you. All my loving darling I'll be True. All my loving All my loving ooh All my loving I will send to you
Mister postman look and see You got a letter in your bag for me I been waiting such a long time Since I heard from that girl of mine
There must be some word today From my girlfriend so far away Please mister postman look and see If there's a letter, a letter for me I been standing here waiting mister postman So patiently For just a card or just a letter Saying she's returning home to me
So many days you passed me by See the tear standing in my eye You didn't stop to make me feel better By leaving me a card or a letter
You gotta wait a minute, wait a minute You gotta wait a minute, wait a minute You gotta wait a minute, wait a minute You gotta check it and see, one more time for me
Wait Wait Wait Deliver the letter, the sooner the better
Lyrics for the song "Ticket to ride" by the Beatles
I think I'm gonna be sad, I think it's today, yeah. The girl that's driving me mad Is going away.
She's got a ticket to ride, She's got a ticket to ride, She's got a ticket to ride, But she don't care.
She said that living with me Was bringing her down yeah. She would never be free When I was around.
She's got a ticket to ride, She's got a ticket to ride, She's got a ticket to ride, But she don't care.
I don't know why she's ridin' so high, She ought to think twice, She ought to do right by me. Before she gets to saying goodbye, She ought to think twice, She ought to do right by me.
I think I'm gonna be sad, I think it's today yeah. The girl that's driving me mad Is going away, yeah.
She's got a ticket to ride, She's got a ticket to ride, She's got a ticket to ride, But she don't care.
I don't know why she's ridin' so high, She ought to think twice, She ought to do right by me. Before she gets to saying goodbye, She ought to think twice, She ought to do right by me . She heard that living with me, Was bringing her down, yeah. She would never be free When I was around.
Ah, she's got a ticket to ride, She's got a ticket to ride, She's got a ticket to ride, But she don't care.
My baby don't care, my baby don't care. My baby don't care, my baby don't care. My baby don't care.
Video of the Beatles singing "I wanna hold your hands"
Lyrics for the song "I wanna hold your hands" by the Beatles
Oh yeah, I´ll tell you something I think you´ll understand When I say that something I wanna hold your hand I wanna hold your hand I wanna hold your hand
Oh, please, say to me You´ll let me be your man and please, say to me
You´ll let me hold your hand Now let me hold your hand I wanna hold your hand
And when I touch you i feel happy, inside It´s such a feeling That my love I can't hide I can't hide I can't hide
Yeah you, got that something I think you´ll understand When I say that something I wanna hold your hand I wanna hold your hand I wanna hold your hand
And when I touch you I feel happy, inside It´s such a feeling That my love I can't hide I can't hide I can't hide
Yeah you, got that something I think you´ll understand When I feel that something I wanna hold your hand I wanna hold your hand I wanna hold your hand.
I'll buy you a diamond ring my friend if it makes you feel alright I'll get you anything my friend if it makes you feel alright 'Cause I don't care too much for money, money can't buy me love
I'll give you all I got to give if you say you love me too I may not have a lot to give but what I got I'll give to you I don't care too much for money, money can't buy me love
Can't buy me love, everybody tells me so Can't buy me love, no no no, no
Say you don't need no diamond ring and I'll be satisfied Tell me that you want the kind of thing that money just can't buy I don't care too much for money, money can't buy me love
"A Hard Day's Night" is a song by English rock band The Beatles. Written by John Lennon, with help from Paul McCartney,[1] and credited to Lennon/McCartney; it was released on the movie soundtrack of the same name in 1964. It was later released as a single, with "I Should Have Known Better" as its B-side.
The song featured prominently on the soundtrack to The Beatles' first feature film, A Hard Day's Night, and was on their album of the same name. The song topped the charts in both the United Kingdom and United States when it was released as a single. Featuring a prominent and unique opening chord, the song's success demonstrated that The Beatles were not a one-hit wonder in the United States. The American and British singles of "A Hard Day's Night" as well as both the American and British albums of the same title all held the top position in their respective charts for a couple of weeks in August 1964, the first time any artist had done this.
Title
The song's title originated from something said by Ringo Starr, the Beatles' drummer. Starr described it this way in an interview with disc jockey Dave Hull in 1964: "We went to do a job, and we'd worked all day and we happened to work all night. I came up still thinking it was day I suppose, and I said, 'It's been a hard day... and I looked around and saw it was dark so I said, '...night!' So we came to 'A Hard Day's Night.'
Starr's statement was the inspiration for the title of the movie, which in turn inspired the composition of the song. According to John Lennon in a 1980 interview with Playboy magazine: "I was going home in the car and Dick Lester [director of the movie] suggested the title, 'Hard Day's Night' from something Ringo had said. I had used it in In His Own Write [a book Lennon was writing then], but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny... just said it. So Dick Lester said, 'We are going to use that title.'"
In a 1994 interview for The Beatles Anthology, however, Paul McCartney disagreed with Lennon's recollections, basically stating that it was the Beatles, and not Lester, who had come up with the idea of using Starr's verbal misstep: "The title was Ringo's. We'd almost finished making the film, and this fun bit arrived that we'd not known about before, which was naming the film. So we were sitting around at Twickenham studios having a little brain-storming session... and we said, 'Well, there was something Ringo said the other day.' Ringo would do these little malapropisms, he would say things slightly wrong, like people do, but his were always wonderful, very lyrical... they were sort of magic even though he was just getting it wrong. And he said after a concert, 'Phew, it's been a hard day's night.'"
In 1996, yet another version of events cropped up; in an Associated Press report, the producer of the film A Hard Day's Night, Walter Shenson, stated that Lennon described to Shenson some of Starr's funnier gaffes, including "a hard day's night," whereupon Shenson immediately decided that that was going to be the title of the movie (the originally planned title was Beatlemania[6]). Shenson then told Lennon that he needed a theme song for the film.
Production
Regardless of who decided on the title, Lennon immediately made up his mind that he would compose the movie's title track.[8] He dashed off the song in one night, and brought it in for comments the following morning (the original manuscript lyrics may be seen in the British Library, scribbled in ballpoint on the back of an old birthday card). As he described in his 1980 Playboy interview, "...the next morning I brought in the song... 'cuz there was a little competition between Paul and I as to who got the A-side — who got the hits. If you notice, in the early days the majority of singles, in the movies and everything, were mine... in the early period I'm dominating the group.... The reason Paul sang on A Hard Day's Night (in the bridge) is because I couldn't reach the notes."[4] In the Associated Press report, Shenson described his recollection of what happened. At 8:30 in the morning, "There were John and Paul with guitars at the ready and all the lyrics scribbled on matchbook covers. They played it and the next night recorded it." Shenson declared, "It had the right beat and the arrangement was brilliant. These guys were geniuses."
On 16 April 1964, the Beatles gathered at Studio 2 of the Abbey Road Studios and recorded "A Hard Day's Night". It took them less than three hours to polish the song for its final release, eventually selecting the ninth take as the one to be released.
Release and Reception
"A Hard Day's Night" was first released to the United States, coming out on 13 June 1964 on the album A Hard Day's Night, the soundtrack to the film, and released by United Artists. The album was a hit, selling over two million copies.
"A Hard Day's Night" was the first Beatles single released in the UK not to use a pronoun in its title. On all of their previous British singles ("Love Me Do," "Please Please Me," "From Me to You." "She Loves You," "I Want to Hold Your Hand," and "Can't Buy Me Love"), the group had intentionally relied on the use of a pronoun to make a song "very direct and personal," so that, according to McCartney, "people can identify...with it."
The United Kingdom first heard "A Hard Day's Night" when it was released there on 10 July 1964, both on the album A Hard Day's Night, and as a single, backed with "Things We Said Today" on the B-side. Both the album and single were released by Parlophone Records. The album proceeded to sell 1.5 million copies within a fortnight of its release. The single began charting on 18 July 1964, a week later ousting the Rolling Stones' "It's All Over Now" from the top spot on the British charts on 25 July 1964, coincidentally the day when both the American and British albums too hit the peak of their respective charts. The single stayed on top for three weeks, and lasted another nine weeks in the charts afterwards.
America first saw the single of "A Hard Day's Night" on 13 July 1964, featuring "I Should Have Known Better" on the B-side, and released by Capitol Records. Capitol had been in a quandary about cashing in on the success of the movie A Hard Day's Night, as United Artists held the publishing rights for the soundtrack (thus owning the rights to release the album of the same title). However, there was nothing preventing Capitol from releasing the songs in other forms, leading to six out of the seven songs from the movie's soundtrack coming out on singles.
The American single began its 13-week chart run on five days after release, and on 1 August started a two-week long run at the top, setting a new record—nobody before had ever held the number one position on both the album and singles charts in the United Kingdom and the United States at the same time. The Beatles were the first to do so, and continued to be the only ones who had done this until 1970 when Simon and Garfunkel achieved the same feat with their album Bridge Over Troubled Water and its title track. "A Hard Day's Night" went on to sell one million copies in America within just over five weeks.
After the Beatles had performed on The Ed Sullivan Show when they first came to America in early 1964, some American critics had dismissed them as one-hit wonders. "A Hard Day's Night" proved them wrong, as it only strengthened The Beatles' dominance of the world music scene in 1964. They would continue to feature prominently for the next six years until their disbanding in 1970.
In 1965, "A Hard Day's Night" won the Beatles the Grammy Award for Best Performance by a Vocal Group. In 2004, this song was ranked number 153 on Rolling Stone magazine's list of the 500 greatest songs of all time.
"Get Back" is a song by The Beatles, written primarily by Paul McCartney and credited to Lennon/McCartney. The song was originally released as a single on 11 April 1969 and credited to "The Beatles with Billy Preston."[1] It later became the closing track of Let It Be (1970), which was The Beatles' last album released before the group formally split. The single reached number one in the United Kingdom, the United States, Canada, Australia, France, West Germany, and Mexico. It was The Beatles' only single that credited another artist (Preston), although Tony Sheridan had shared billing with The Beatles on his own single "My Bonnie" when issued in the UK in 1962 (and again in 1964). "Get Back" was The Beatles' first single release in true stereo in the U.S. In the UK, Beatles singles remained monaural until the following release, "The Ballad of John and Yoko."
Composition - Musical development
"Get Back" is unusual in The Beatles' canon in that almost every moment of the song's evolution has been extensively documented, from its beginning as an offhand riff to its final mixing. Much of this documentation is in the form of illegal (but widely available) bootleg recordings, and is recounted in the book Get Back: The Unauthorized Chronicle of The Beatles' Let It Be Disaster by Doug Sulpy and Ray Schweighardt.[2] The song's melody grew out of some unstructured jamming on 7 January 1969 during rehearsal sessions on the sound stage at Twickenham Studios.[3] Over the next few minutes McCartney introduced some of the lyrics, reworking "Get back to the place you should be" from fellow Beatle George Harrison's "Sour Milk Sea" into "Get back to where you once belonged."[4] McCartney had played bass on Jackie Lomax's recording of the song a few months earlier. For the press release to promote the "Get Back" single McCartney wrote, "We were sitting in the studio and we made it up out of thin air... we started to write words there and then...when we finished it, we recorded it at Apple Studios and made it into a song to roller-coast by."[5] The released version of the song is composed of two verses, with an intro, outro, and several refrains. The first verse tells the story of a man named Jojo, who leaves his home in Tucson, Arizona, for some "California grass." (Paul's soon-to-be wife Linda had attended the University of Arizona in Tucson.) The second verse is about a sexually ambiguous character "Loretta Martin" who "thought she was a woman, but she was another man." The single version includes a coda urging Loretta to "get back" where she belongs, as well. The Beatles often played around with their lyrics during recording sessions, as evidenced by Lennon's introduction on the Let it Be album: "Sweet Loretta Fart, she thought she was a cleaner, but she was a frying pan". The album version of the song famously ends with John Lennon quipping "I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition".
Video of the Beatles singing the song I saw her standing there
"I Saw Her Standing There" is a song written by John Lennon and Paul McCartney and is the opening track on the The Beatles' debut album Please Please Me, released in the United Kingdom by Parlophone on 22 March 1963. In December 1963, Capitol Records released the song in the United States as the B-side on the label's first single by The Beatles, "I Want to Hold Your Hand". The single topped the U.S. charts for seven weeks starting 18 January 1964. "I Saw Her Standing There" entered the Billboard Hot 100 on 8 February 1964, remaining there for 11 weeks, peaking at number 14. In 2004, the song was ranked #139 on Rolling Stone's list of the 500 Greatest Songs of All Time.
Composition
The song was a Lennon & McCartney collaboration based on McCartney's original idea.[1] Initially titled "Seventeen", the song was apparently conceived by McCartney whilst driving home from a Beatles concert in Southport, Merseyside[2] and later completed at his Forthlin Road home in September 1962 with Lennon, while the two were playing truant from school.[1] It was typical of how Lennon and McCartney would work in partnership, as McCartney later commented: "I had 'She was just seventeen,' and then 'Beauty queen'. When I showed it to John, he screamed with laughter, and said 'You're joking about that line, aren't you?'"[2] "It was one of the first times he ever went 'What? Must change that...'"[3] The lyrics were written on a Liverpool Institute exercise book. Remember, a book by McCartney's brother Mike McCartney, includes a photograph of Lennon and McCartney writing the song while strumming guitars and reading the exercise book. McCartney admits to lifting his bass line directly from a Chuck Berry song called "I'm Talking About You" (1961).[1]
Recording
The song was recorded at Abbey Road Studios on 11 February 1963, as part of the marathon recording session that produced 10 of the 14 songs on Please Please Me. The Beatles were not present for the mixing session on 25 February 1963,[4] which was not unusual at that time. On the album, the song starts with a rousing "one, two, three, FOUR!" count-in by McCartney (pronounced "one, two, three, FAH!"). Usually, these count-ins are edited off the final audio mix. However, this was left on by record producer George Martin, as it was considered especially spirited,[3] and began the album in an upbeat vein. Music journalist, Richard Williams, suggested that this dramatic introduction to their debut album was just as stirring as Elvis Presley's "Well, it's one for the money, two for the show…" on his opening track, Blue Suede Shoes, for his debut album seven years earlier.[5] In addition, it made the point that The Beatles were a performing band as they also opened their live set in this way (however, by listening to outtakes of the song one can hear that the count-in is actually from take 9, while the master take is take 1 - the former was not preceded by a loud count-in).[6] George Martin initially contemplated recording the Please Please Me LP live at the Cavern in front of their own audience[6] and visited the Liverpool club to experience The Beatles phenomenon for himself.[7] But when time constraints intervened it was decided to book them into the Abbey Road studios instead. Outtakes of this recording reveal that Paul McCartney on occasion, altered his bass line during the chorus as he regularly did on live versions.
Video of the Beatles singing the song She loves you
"She Loves You" is a song written by John Lennon and Paul McCartney based on an idea by McCartney, originally recorded by The Beatles for release as a single in 1963. The single set and surpassed several records in the United Kingdom charts, and set a record in the United States by being one of the five Beatles songs which held the top five positions in the American charts simultaneously, a record which is still unchallenged. It is the Beatles' best-selling single in the United Kingdom, and was the best selling single in Britain in 1963. The song was also the first time Lennon's name had taken precedence over McCartney in the credits — until then, they had traditionally been credited as "McCartney/Lennon." The song was one of the Beatles' first songs to be heard by a substantial number of Americans; the only United States release by the Beatles that had even charted before that was "From Me to You," which lasted three weeks in August 1963, never going higher than number 116. "She Loves You" was, under the title, "Sie liebt dich", one of the two songs rerecorded by the Beatles in German (the other being "Komm, gib mir deine Hand"). "Sie Liebt Dich" was released in Germany and in the USA b/w "I'll Get You" by "Die Beatles" on May 21, 1964, Swan 4182)[1] In November 2004, Rolling Stone ranked "She Loves You" as the 64th Greatest Song of All Time. In October 2005, Uncut Magazine named "She Loves You" the third biggest song that changed the world, behind Elvis Presley's "Heartbreak Hotel" and Bob Dylan's "Like a Rolling Stone".
Writing in a hotel
McCartney and Lennon were inspired to write "She Loves You" after a concert at the Majestic Ballroom in Newcastle as part of their tour with Roy Orbison and Gerry & The Pacemakers. McCartney recalled they wrote the song in a hotel in Newcastle. In 2003, plans to install a plaque at the hotel concerned were stalled after it turned out neither Paul McCartney nor Ringo Starr, the last two surviving Beatles, could recall whether it was the Imperial Hotel or the Royal Turk's Head where the Beatles had stayed. The other circumstances under which the song was written are generally agreed upon. McCartney described it in the same year "She Loves You" was written: "There was a Bobby Rydell song out at the time "Forget Him" and, as often happens, you think of one song when you write another. We were in a van up in Newcastle-Upon-Tyne. I'd planned an 'answering song' where a couple of us would sing 'she loves you' and the other ones would answer 'yeah yeah'. We decided that was a crummy idea but at least we then had the idea of a song called 'She Loves You'. So we sat in the hotel bedroom for a few hours and wrote it — John and I, sitting on twin beds with guitars." It was completed the following day at McCartney's family home at Forthlin Road, Liverpool.[2] Interestingly for a love song, the lyrics were written in the third person. This idea was attributed by Lennon to McCartney, in 1980: "It was written together (with Paul) and I don't remember how. I remember it was Paul's idea — instead of singing 'I love you' again, we'd have a third party. The 'Woooo' was taken from the Isley Brothers' 'Twist and Shout,' which we stuck into everything." George Martin, the Beatles' producer, argued with Lennon and McCartney about the major sixth chord that ends the song. McCartney said in 1982: "Occasionally, we'd overrule George Martin, like on "She Loves You", we end on a sixth chord, a very jazzy sort of thing. And he said, 'Oh, you can't do that! A sixth chord? It's too jazzy.' We just said, 'No, it's a great hook, we've got to do it.'" Eventually McCartney opened up, giving a fuller description of the disagreement, in 1988: "We rehearsed the end bit of "She Loves You" and took it to George. And he just laughed and said, 'Well, you can't do the end of course... that sixth... it's too like the Andrews Sisters.' We just said, 'Alright, we'll try it without,' and we tried it and it wasn't as good. Then he conceded, 'You're right, I guess.'"
At work in the studio
The recording of the song on 1 July 1963 was done on a two-track recording machine, but the original stereo master tape is widely believed to have been lost, since every release of the song has been in mono. How the stereo tape was lost has never been fully ascertained. [1] The German division of EMI (the parent of the Beatles' British record label, Parlophone Records), decided that the only way to sell Beatles records in Germany would be to rerecord them in German. The Beatles found the idea stupid, but were asked by George Martin to comply, recording "Sie liebt dich" on 29 January 1964, along with a German version of "I Want to Hold Your Hand," at the Pathe Marconi Studios in Paris. Other than the earlier sessions backing Tony Sheridan it was the only time in their career that the Beatles recorded outside London. The track was a big hit in Germany, but today the English versions are much better known in Germany (The Beatles Red and Blue albums still feature the English hits on the German pressings).
"Get Back" is a song by The Beatles, written primarily by Paul McCartney and credited to Lennon/McCartney. The song was originally released as a single on 11 April 1969 and credited to "The Beatles with Billy Preston."[1] It later became the closing track of Let It Be (1970), which was The Beatles' last album released before the group formally split. The single reached number one in the United Kingdom, the United States, Canada, Australia, France, West Germany, and Mexico. It was The Beatles' only single that credited another artist (Preston), although Tony Sheridan had shared billing with The Beatles on his own single "My Bonnie" when issued in the UK in 1962 (and again in 1964). "Get Back" was The Beatles' first single release in true stereo in the U.S. In the UK, Beatles singles remained monaural until the following release, "The Ballad of John and Yoko."
Composition - Musical development
"Get Back" is unusual in The Beatles' canon in that almost every moment of the song's evolution has been extensively documented, from its beginning as an offhand riff to its final mixing. Much of this documentation is in the form of illegal (but widely available) bootleg recordings, and is recounted in the book Get Back: The Unauthorized Chronicle of The Beatles' Let It Be Disaster by Doug Sulpy and Ray Schweighardt.[2] The song's melody grew out of some unstructured jamming on 7 January 1969 during rehearsal sessions on the sound stage at Twickenham Studios.[3] Over the next few minutes McCartney introduced some of the lyrics, reworking "Get back to the place you should be" from fellow Beatle George Harrison's "Sour Milk Sea" into "Get back to where you once belonged."[4] McCartney had played bass on Jackie Lomax's recording of the song a few months earlier. For the press release to promote the "Get Back" single McCartney wrote, "We were sitting in the studio and we made it up out of thin air... we started to write words there and then...when we finished it, we recorded it at Apple Studios and made it into a song to roller-coast by."[5] The released version of the song is composed of two verses, with an intro, outro, and several refrains. The first verse tells the story of a man named Jojo, who leaves his home in Tucson, Arizona, for some "California grass." (Paul's soon-to-be wife Linda had attended the University of Arizona in Tucson.) The second verse is about a sexually ambiguous character "Loretta Martin" who "thought she was a woman, but she was another man." The single version includes a coda urging Loretta to "get back" where she belongs, as well. The Beatles often played around with their lyrics during recording sessions, as evidenced by Lennon's introduction on the Let it Be album: "Sweet Loretta Fart, she thought she was a cleaner, but she was a frying pan". The album version of the song famously ends with John Lennon quipping "I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition".
Video of the Beatles singing the song Don't let me down
"Don't Let Me Down" is a song by The Beatles, recorded in 1969 during the Get Back (Let It Be) sessions. Richie Unterberger of Allmusic called it "one of the Beatles' most powerful love songs",[1] and Roy Carr and Tony Tyler called it "a superb sobber from misery-expert J. W. O. Lennon, MBE. And still one of the most highly underrated Beatle underbellies."[2]
Composition
An anguished love song Lennon wrote to Yoko Ono,[3] Paul McCartney interpreted it as a "genuine plea", with Lennon saying to Ono, "I'm really stepping out of line on this one. I'm really just letting my vulnerability be seen, so you must not let me down."[4] Lennon's vocals work their way into screams, presaging the primal scream stylings of the following year's John Lennon/Plastic Ono Band album.[5] The song is in the key of E and is in 4/4 time during the verse, chorus and bridge, but changes to 5/4 in the pickup to the verse.[6]
Video of The Beetles singing the song I wanna hold your hand
Lyrics for the song I wanna hold your hand by the Beetles
Oh yeah, I'll tell you something, I think you'll understand. When I'll say that something I want to hold your hand, I want to hold your hand, I want to hold your hand.
Oh please, say to me You'll let me be your man And please, say to me You'll let me hold your hand. Now let me hold your hand, I want to hold your hand.
And when I touch you I feel happy inside. It's such a feeling that my love I can't hide, I can't hide, I can't hide.
Yeah, you've got that something, I think you'll understand. When I'll say that something I want to hold your hand, I want to hold your hand, I want to hold your hand.
And when I touch you I feel happy inside. It's such a feeling that my love I can't hide, I can't hide, I can't hide.
Yeh, you've got that something, I think you'll understand. When I'll feel that something I want to hold your hand, I want to hold your hand, I want to hold your hand.
Lyrics for song "Can't buy me votes" in honor of the shameful Barisan Nasional (UMNO or United Malays National Organization) which tried to buy votes during the Kuala Terengganu by-election (more like buy-election) to the tunes of "Can't buy me love" by the Beatles:
Can’t buy me votes, votes Can’t buy me votes
I’ll tar all the roads my friend, if it makes you vote for me I’ll give laptop to you my friend, if it makes you vote for me Cos I don’t care too, much for money, as long as it can buy me votes
I’ll give you all I got to give if you say you’ll vote for me I may not have a lot to give but what I got I’ll give to you I don’t care too, much for the money, after all it belongs to you
Can’t buy me votes, everybody tells me so Can’t buy me votes, no no no no
Pay for all that you ever need and make you satisfied Tell me that you want the kind of thing that money just can buy I don’t care too much for money, hoping money can buy me votes
Can’t buy me votes, everybody tells me so Can’t buy me votes, no no no, no
Pay for all that you ever need and make you satisfied Tell me that you want the kind of thing that money just can buy I don’t care too much for money, hoping money can buy me votes
The Beatles were a pop and rock band from Liverpool, England formed in 1960. Primarily the band consisted of John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals) and Ringo Starr (drums, vocals). Throughout their career, The Beatles are recognised for leading the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s. After the band broke up in 1970, all four members embarked upon solo careers. The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally.[1] In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide.[2] According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band.[3] In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time.[4] According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.[5]
Hey jude, dont make it bad. Take a sad song and make it better. Remember to let her into your heart, Then you can start to make it better.
Hey jude, dont be afraid. You were made to go out and get her. The minute you let her under your skin, Then you begin to make it better.
And anytime you feel the pain, hey jude, refrain, Dont carry the world upon your shoulders. For well you know that its a fool who plays it cool By making his world a little colder.
Hey jude, dont let me down. You have found her, now go and get her. Remember to let her into your heart, Then you can start to make it better.
So let it out and let it in, hey jude, begin, Youre waiting for someone to perform with. And dont you know that its just you, hey jude, youll do, The movement you need is on your shoulder.
Hey jude, dont make it bad. Take a sad song and make it better. Remember to let her under your skin, Then youll begin to make it Better better better better better better, oh.
When i find myself in times of trouble Mother mary comes to me Speaking words of wisdom, let it be. And in my hour of darkness She is standing right in front of me Speaking words of wisdom, let it be. Let it be, let it be. Whisper words of wisdom, let it be.
And when the broken hearted people Living in the world agree, There will be an answer, let it be. For though they may be parted there is Still a chance that they will see There will be an answer, let it be. Let it be, let it be. yeah There will be an answer, let it be.
And when the night is cloudy, There is still a light that shines on me, Shine on until tomorrow, let it be. I wake up to the sound of music Mother mary comes to me Speaking words of wisdom, let it be. Let it be, let it be. There will be an answer, let it be. Let it be, let it be, Whisper words of wisdom, let it be.
